{"id":1264,"date":"2010-12-15T22:20:43","date_gmt":"2010-12-15T20:20:43","guid":{"rendered":"http:\/\/www.irreel.org\/blog\/?p=1264"},"modified":"2017-02-04T21:11:07","modified_gmt":"2017-02-04T19:11:07","slug":"scenario-film-tombent-les-masques-in-english","status":"publish","type":"post","link":"https:\/\/www.irreel.ch\/blog\/scenario-film-tombent-les-masques-in-english\/","title":{"rendered":"Sc\u00e9nario \/ Film \u00ab\u00a0Tombent les masques\u00a0\u00bb in english"},"content":{"rendered":"

\"\"Tombent les Masques: sous-titres anglais
\ncontinuit\u00e9 itw d\u00e9finitive
\nContinuit\u00e9 des interviews, Montage d\u00e9finitif<\/p>\n

A painter, 50-odd models. Under the artist’s penetrating eye, the masks fall away. A device which offers the viewer a rare experience, sketching the portrait of several friendships, and at the same time a clever stratagem for getting closer to people and their peculiarities. What image does the other project to us? And we to the other? A relentless exploration of the theme of seeing, registering, hearing. A film about self-knowledge.<\/p>\n

0001) 00:02:05:03 00:02:09:23 Duree :04:20 Lisibilite :76
\nBeneath the masks<\/p>\n

0002) 00:03:35:17 00:03:39:01 Duree :03:09 Lisibilite :53
\nI come here from time to time,
\nand see the family get bigger.<\/p>\n

0003) 00:03:39:11 00:03:42:14 Duree :03:03 Lisibilite :49
\nThis family of ghosts,
\nor of presences, I don’t know.<\/p>\n

0004) 00:03:43:00 00:03:48:12 Duree :05:12 Lisibilite :87
\nThese faces are like apparitions.
\nA kind of dream.<\/p>\n

0005) 00:03:48:16 00:03:53:15 Duree :04:24 Lisibilite :79
\nA presence, an absence…
\nvibrating in a particular way.<\/p>\n

0006) 00:03:53:19 00:03:55:14 Duree :01:20 Lisibilite :28
\nIt is a kind of shuddering.<\/p>\n

0007) 00:03:55:18 00:03:57:21 Duree :02:03 Lisibilite :33
\nEach one in their own black square,<\/p>\n

0008) 00:03:58:08 00:04:01:05 Duree :02:22 Lisibilite :46
\nit feels as if they were
\na little bit stageing themselves.<\/p>\n

0009) 00:04:04:23 00:04:08:08 Duree :03:10 Lisibilite :54
\nYou see, that’s how painting starts,<\/p>\n

0010) 00:04:09:01 00:04:10:09 Duree :01:08 Lisibilite :21
\nwith a tearing.<\/p>\n

0011) 00:05:28:13 00:05:30:20 Duree :02:07 Lisibilite :36
\nIt’s a cloud in the beginning.<\/p>\n

0012) 00:05:31:03 00:05:33:17 Duree :02:14 Lisibilite :40
\nJust a cloud… moving.<\/p>\n

0013) 00:05:37:22 00:05:39:21 Duree :01:24 Lisibilite :31
\nShapes in motion.<\/p>\n

0014) 00:06:17:16 00:06:21:24 Duree :04:08 Lisibilite :69
\nSay I’m looking for landmarks,<\/p>\n

0015) 00:06:22:03 00:06:24:24 Duree :02:21 Lisibilite :45
\nand at first I can’t see any.<\/p>\n

0016) 00:06:29:01 00:06:32:01 Duree :03:00 Lisibilite :48
\nThat’s why I talk about clouds.<\/p>\n

0017) 00:06:41:02 00:06:43:19 Duree :02:17 Lisibilite :42
\nFor me, the black surface, there,<\/p>\n

0018) 00:06:45:06 00:06:49:14 Duree :04:08 Lisibilite :69
\nsymbolizes an infinite space.<\/p>\n

0019) 00:07:19:15 00:07:24:17 Duree :05:02 Lisibilite :81
\nI find that colours go straight
\ninto the subconscious.<\/p>\n

0020) 00:07:24:23 00:07:29:00 Duree :04:02 Lisibilite :65
\nIt’s like sound.
\nYou can’t close your ears.<\/p>\n

0021) 00:07:29:20 00:07:32:04 Duree :02:09 Lisibilite :37
\nAnd you can’t not see the colours.<\/p>\n

0022) 00:07:37:23 00:07:39:17 Duree :01:19 Lisibilite :28
\nYou see, this black colour<\/p>\n

0023) 00:07:40:22 00:07:43:00 Duree :02:03 Lisibilite :33
\nis an absorbing matter.<\/p>\n

0024) 00:07:43:10 00:07:45:10 Duree :02:00 Lisibilite :32
\nIt absorbs everything.<\/p>\n

0025) 00:07:45:23 00:07:47:16 Duree :01:18 Lisibilite :27
\nThe only thing that I leave,<\/p>\n

0026) 00:07:47:20 00:07:52:08 Duree :04:13 Lisibilite :72
\nor that this blackness casts<\/p>\n

0027) 00:07:53:00 00:07:55:05 Duree :02:05 Lisibilite :35
\nis this face,<\/p>\n

0028) 00:07:56:06 00:08:00:00 Duree :03:19 Lisibilite :60
\nwhich expresses everyone’s inner life.<\/p>\n

0029) 00:08:02:20 00:08:04:13 Duree :01:18 Lisibilite :27
\nWhich is the soul.<\/p>\n

0030) 00:08:21:02 00:08:25:07 Duree :04:05 Lisibilite :67
\nMaybe it started with an
\nimportant change in my life.<\/p>\n

0031) 00:08:25:14 00:08:27:22 Duree :02:08 Lisibilite :37
\nA lost friendship.<\/p>\n

0032) 00:08:28:01 00:08:31:14 Duree :03:13 Lisibilite :56
\nSince, I’ve wondered a lot about
\nthe importance of friendship,<\/p>\n

0033) 00:08:31:18 00:08:33:24 Duree :02:06 Lisibilite :35
\nand who could still be called
\nfriends of mine.<\/p>\n

0034) 00:08:34:03 00:08:38:11 Duree :04:08 Lisibilite :69
\nWell, I took the first around me,
\nwho were there at that time.<\/p>\n

0035) 00:08:38:16 00:08:40:11 Duree :01:20 Lisibilite :28
\nI was short of time,<\/p>\n

0036) 00:08:41:11 00:08:43:11 Duree :02:00 Lisibilite :32
\nso I had to work at night.<\/p>\n

0037) 00:08:43:20 00:08:48:21 Duree :05:01 Lisibilite :80
\nThus I chose black as background,<\/p>\n

0038) 00:08:49:21 00:08:52:17 Duree :02:21 Lisibilite :45
\nwith the face looming out<\/p>\n

0039) 00:08:52:22 00:08:54:19 Duree :01:22 Lisibilite :30
\nlike a ghost,<\/p>\n

0040) 00:08:55:00 00:09:00:16 Duree :05:16 Lisibilite :90
\nlike a fantasy, a desire.<\/p>\n

0041) 00:09:02:20 00:09:06:05 Duree :03:10 Lisibilite :54
\nI painted a few, but knew quite soon<\/p>\n

0042) 00:09:06:09 00:09:09:00 Duree :02:16 Lisibilite :42
\nthat I had to make a lot more<\/p>\n

0043) 00:09:09:13 00:09:11:06 Duree :01:18 Lisibilite :27
\nand also that these pictures<\/p>\n

0044) 00:09:13:17 00:09:16:05 Duree :02:13 Lisibilite :40
\nwere searching for each other.<\/p>\n

0045) 00:09:17:05 00:09:19:13 Duree :02:08 Lisibilite :37
\nThey were dispersing themselves.<\/p>\n

0046) 00:09:19:17 00:09:22:12 Duree :02:20 Lisibilite :44
\nAt the same time they attracted
\nand repelled each other,<\/p>\n

0047) 00:09:22:16 00:09:27:23 Duree :05:07 Lisibilite :84
\nIt was an interactive game
\nbetween the paintings.<\/p>\n

0048) 00:09:30:08 00:09:32:12 Duree :02:04 Lisibilite :34
\nSo I went on,<\/p>\n

0049) 00:09:32:21 00:09:36:04 Duree :03:08 Lisibilite :53
\nignoring until where or when,<\/p>\n

0050) 00:09:36:08 00:09:40:07 Duree :03:24 Lisibilite :63
\nand so a lot of time went by,<\/p>\n

0051) 00:09:40:15 00:09:43:05 Duree :02:15 Lisibilite :41
\nMuch changed inside myself,<\/p>\n

0052) 00:09:44:10 00:09:46:08 Duree :01:23 Lisibilite :30
\nand on the canvas, too.<\/p>\n

0053) 00:09:46:12 00:09:48:13 Duree :02:01 Lisibilite :32
\nThere is quite a difference<\/p>\n

0054) 00:09:48:18 00:09:51:06 Duree :02:13 Lisibilite :40
\nbetween the beginning and the end.<\/p>\n

0055) 00:09:57:06 00:09:58:06 Duree :01:00 Lisibilite :16
\nI wanted<\/p>\n

0056) 00:09:58:10 00:09:59:21 Duree :01:11 Lisibilite :23
\nto focus on the face only<\/p>\n

0057) 00:10:00:00 00:10:04:07 Duree :04:07 Lisibilite :68
\nbecause it seemed to be
\nthe most important thing then.<\/p>\n

0058) 00:10:05:09 00:10:08:15 Duree :03:06 Lisibilite :51
\nThe look, the skin of the other…<\/p>\n

0059) 00:10:09:17 00:10:11:15 Duree :01:23 Lisibilite :30
\nI found that the face<\/p>\n

0060) 00:10:13:03 00:10:16:14 Duree :03:11 Lisibilite :55
\nwas indeed the most naked
\npart of ourselves.<\/p>\n

0061) 00:12:19:20 00:12:20:20 Duree :01:00 Lisibilite :16
\nI started<\/p>\n

0062) 00:12:21:02 00:12:23:11 Duree :02:09 Lisibilite :37
\nwith close people,<\/p>\n

0063) 00:12:23:21 00:12:26:14 Duree :02:18 Lisibilite :43
\nfriends or aquaintances,<\/p>\n

0064) 00:12:30:04 00:12:33:15 Duree :03:11 Lisibilite :55
\nAnd they became almost unknown,<\/p>\n

0065) 00:12:33:21 00:12:35:17 Duree :01:21 Lisibilite :29
\nby painting them.<\/p>\n

0066) 00:12:40:09 00:12:43:17 Duree :03:08 Lisibilite :53
\nIt is harder to paint people you like,<\/p>\n

0067) 00:12:43:23 00:12:47:01 Duree :03:03 Lisibilite :49
\nbecause you have already created
\na picture of them,<\/p>\n

0068) 00:12:48:01 00:12:50:19 Duree :02:18 Lisibilite :43
\nand you have<\/p>\n

0069) 00:12:51:01 00:12:52:16 Duree :01:15 Lisibilite :25
\nto get over<\/p>\n

0070) 00:12:53:20 00:12:55:05 Duree :01:10 Lisibilite :22
\nthis illusion,<\/p>\n

0071) 00:12:55:10 00:12:59:05 Duree :03:20 Lisibilite :60
\nthis image from your memory.<\/p>\n

0072) 00:13:00:24 00:13:05:08 Duree :04:09 Lisibilite :69
\nIt’s obvious.
\nIt’s like doing violence to the other,<\/p>\n

0073) 00:13:06:17 00:13:16:12 Duree :09:20 Lisibilite :156
\nbecause I want to forget,
\nor get rid of everything I knew.<\/p>\n

0074) 00:13:18:11 00:13:24:04 Duree :05:18 Lisibilite :91
\nI want to discover people
\nnot as I know them, but as they are,<\/p>\n

0075) 00:13:24:09 00:13:30:03 Duree :05:19 Lisibilite :92
\nas they are suddenly,
\nin a somehow constrained context.<\/p>\n

0076) 00:13:31:02 00:13:33:01 Duree :01:24 Lisibilite :31
\nWhen one is posing,<\/p>\n

0077) 00:13:34:10 00:13:37:24 Duree :03:14 Lisibilite :56
\nI feel as if the essence was coming out,<\/p>\n

0078) 00:13:39:18 00:13:42:15 Duree :02:22 Lisibilite :46
\nwell, the person who is inside,<\/p>\n

0079) 00:13:44:22 00:13:46:14 Duree :01:17 Lisibilite :26
\nbeneath the mask.<\/p>\n

0080) 00:13:48:00 00:13:51:05 Duree :03:05 Lisibilite :51
\nEven if I’m only painting the mask,
\nthe mask falls.<\/p>\n

0081) 00:14:27:19 00:14:30:18 Duree :02:24 Lisibilite :47
\nHe wasn’t looking at me.
\nHe was looking beyond myself.<\/p>\n

0082) 00:14:30:22 00:14:32:18 Duree :01:21 Lisibilite :29
\nI don’t know how to explain.<\/p>\n

0083) 00:14:32:22 00:14:36:05 Duree :03:08 Lisibilite :53
\nHe wasn’t staring into my eyes,
\nhe was looking at my whole being.<\/p>\n

0084) 00:14:36:14 00:14:39:14 Duree :03:00 Lisibilite :48
\nSometimes he would linger
\non a cheekbone, on the entire face,<\/p>\n

0085) 00:14:39:18 00:14:42:03 Duree :02:10 Lisibilite :38
\non something global,
\nor on minute details, I don’t know,<\/p>\n

0086) 00:14:42:07 00:14:43:22 Duree :01:15 Lisibilite :25
\nAnd it made me ill-at-ease<\/p>\n

0087) 00:14:44:01 00:14:46:17 Duree :02:16 Lisibilite :42
\nto see all that I try
\nto show to the outer world.<\/p>\n

0088) 00:14:46:21 00:14:51:13 Duree :04:17 Lisibilite :74
\nFinally, what this portrait really
\nshows is the reverse of the medal.<\/p>\n

0089) 00:14:51:17 00:14:53:06 Duree :01:14 Lisibilite :24
\nFor instance there is something<\/p>\n

0090) 00:14:53:20 00:14:58:10 Duree :04:15 Lisibilite :73
\nvery contemplative, almost sad,<\/p>\n

0091) 00:14:59:02 00:15:03:21 Duree :04:19 Lisibilite :76
\nor nostalgic. I see something
\nvery nostalgic in that face.<\/p>\n

0092) 00:15:06:21 00:15:09:07 Duree :02:11 Lisibilite :39
\nSomething a little endless, infinite,<\/p>\n

0093) 00:15:09:12 00:15:11:08 Duree :01:21 Lisibilite :29
\nI don’t know… something…<\/p>\n

0094) 00:15:14:08 00:15:19:10 Duree :05:02 Lisibilite :81
\nI think it is a dimension which
\nI have in me, well, yes,<\/p>\n

0095) 00:15:19:18 00:15:22:23 Duree :03:05 Lisibilite :51
\nI feel it very strongly,
\nand it troubles me a little<\/p>\n

0096) 00:15:23:07 00:15:28:22 Duree :05:15 Lisibilite :89
\nto see that… after such a short
\ntime, this is what appears there.<\/p>\n

0097) 00:15:32:03 00:15:35:01 Duree :02:23 Lisibilite :46
\nWhen posing, I felt that
\nthere was a…<\/p>\n

0098) 00:15:35:15 00:15:38:24 Duree :03:09 Lisibilite :53
\nKnowing Daniel, I could figure out<\/p>\n

0099) 00:15:40:07 00:15:44:09 Duree :04:02 Lisibilite :65
\nthat he wasn’t going to paint me<\/p>\n

0100) 00:15:45:03 00:15:46:11 Duree :01:08 Lisibilite :21
\nin a superficial manner,<\/p>\n

0101) 00:15:46:15 00:15:50:03 Duree :03:13 Lisibilite :56
\nthat he would look for what was inside.<\/p>\n

0102) 00:15:50:15 00:15:54:08 Duree :03:18 Lisibilite :59
\nSo it wouldn’t be a portrait
\nwhere I would recognize myself.<\/p>\n

0103) 00:15:54:13 00:15:56:23 Duree :02:10 Lisibilite :38
\nAnd it’s true,
\nI didn’t recognize myself at first.<\/p>\n

0104) 00:15:57:02 00:15:59:15 Duree :02:13 Lisibilite :40
\nI found it difficult
\nto recognize myself,<\/p>\n

0105) 00:15:59:19 00:16:02:13 Duree :02:19 Lisibilite :44
\nfor when I was posing,<\/p>\n

0106) 00:16:02:17 00:16:07:01 Duree :04:09 Lisibilite :69
\nwe talked a lot,
\nand we laughed quite much indeed.<\/p>\n

0107) 00:16:07:05 00:16:08:17 Duree :01:12 Lisibilite :23
\nAnd what I see eventually<\/p>\n

0108) 00:16:08:22 00:16:11:03 Duree :02:06 Lisibilite :35
\nis that the portrait
\nis very serious, very hard.<\/p>\n

0109) 00:16:11:07 00:16:15:12 Duree :04:05 Lisibilite :67
\nThat was surprising.
\nI hadn’t imagined this at all.<\/p>\n

0110) 00:16:16:00 00:16:19:16 Duree :03:16 Lisibilite :58
\nInevitably, I’m interested<\/p>\n

0111) 00:16:19:24 00:16:21:11 Duree :01:12 Lisibilite :23
\nin the surface, too.<\/p>\n

0112) 00:16:21:17 00:16:26:00 Duree :04:08 Lisibilite :69
\nI wonder what people think about me<\/p>\n

0113) 00:16:26:05 00:16:29:02 Duree :02:22 Lisibilite :46
\nwhen they don’t know me
\nand see only the portrait.<\/p>\n

0114) 00:16:30:14 00:16:32:23 Duree :02:09 Lisibilite :37
\nAs I was posing,<\/p>\n

0115) 00:16:33:17 00:16:37:17 Duree :04:00 Lisibilite :64
\nI wondered too<\/p>\n

0116) 00:16:38:12 00:16:41:02 Duree :02:15 Lisibilite :41
\nabout my own disappearance.<\/p>\n

0117) 00:16:42:07 00:16:47:00 Duree :04:18 Lisibilite :75
\nI thought: well, this portrait<\/p>\n

0118) 00:16:49:09 00:16:53:08 Duree :03:24 Lisibilite :63
\nwill live longer than me.<\/p>\n

0119) 00:16:53:24 00:16:55:04 Duree :01:05 Lisibilite :19
\nMe?<\/p>\n

0120) 00:16:55:21 00:16:59:24 Duree :04:03 Lisibilite :65
\nAs far as I’m concerned,
\nI don’t recognize myself at all.<\/p>\n

0121) 00:17:00:03 00:17:02:13 Duree :02:10 Lisibilite :38
\nIndeed I picture myself, too,<\/p>\n

0122) 00:17:02:19 00:17:05:07 Duree :02:13 Lisibilite :40
\nso there may be things I don’t see.<\/p>\n

0123) 00:17:05:17 00:17:08:06 Duree :02:14 Lisibilite :40
\nBecause at that moment,
\nI wasn’t really myself,<\/p>\n

0124) 00:17:08:11 00:17:11:16 Duree :03:05 Lisibilite :51
\nas I was undergoing something.<\/p>\n

0125) 00:17:12:06 00:17:14:19 Duree :02:13 Lisibilite :40
\nWe are transformed
\na little by other people,<\/p>\n

0126) 00:17:15:22 00:17:19:16 Duree :03:19 Lisibilite :60
\nso that I was myself and
\nDaniel Frank too, in some way,<\/p>\n

0127) 00:17:19:20 00:17:24:22 Duree :05:02 Lisibilite :81
\nbecause he was very close.
\nSo I was an image of him as well.<\/p>\n

0128) 00:17:27:05 00:17:30:06 Duree :03:01 Lisibilite :48
\nFor me, the fact
\nthat it had to be in the dark<\/p>\n

0129) 00:17:31:05 00:17:33:19 Duree :02:14 Lisibilite :40
\nwas quite difficult.<\/p>\n

0130) 00:17:37:09 00:17:41:03 Duree :03:19 Lisibilite :60
\nAs I’m rather a day creature,<\/p>\n

0131) 00:17:42:22 00:17:44:19 Duree :01:22 Lisibilite :30
\nit sets me in an unfamiliar context.<\/p>\n

0132) 00:17:44:23 00:17:47:17 Duree :02:19 Lisibilite :44
\nAs if I went to Hell,<\/p>\n

0133) 00:17:47:21 00:17:51:06 Duree :03:10 Lisibilite :54
\nor to the North Pole,
\nwhen there’s no sun.<\/p>\n

0134) 00:18:07:15 00:18:08:23 Duree :01:08 Lisibilite :21
\nIt’s like guns, in a way,<\/p>\n

0135) 00:18:09:13 00:18:11:23 Duree :02:10 Lisibilite :38
\nbecause you’re facing your own portrait.<\/p>\n

0136) 00:18:12:02 00:18:16:14 Duree :04:12 Lisibilite :71
\nThen what do you see?
\nPurple skin, all that’s repressed,<\/p>\n

0137) 00:18:17:15 00:18:21:16 Duree :04:01 Lisibilite :64
\nall that you can’t bear
\nin yourself, there, it’s…<\/p>\n

0138) 00:18:22:04 00:18:30:16 Duree :08:12 Lisibilite :135
\nThe energies, what happens inside
\na photograph can be neutralized,<\/p>\n

0139) 00:18:33:11 00:18:35:16 Duree :02:05 Lisibilite :35
\nbut you can’t neutralize a portrait.<\/p>\n

0140) 00:18:38:04 00:18:40:04 Duree :02:00 Lisibilite :32
\nSometimes I don’t recognize anything.<\/p>\n

0141) 00:18:40:23 00:18:43:15 Duree :02:17 Lisibilite :42
\nIt’s like a jigsaw
\nwhich isn’t assembled.<\/p>\n

0142) 00:18:43:20 00:18:45:19 Duree :01:24 Lisibilite :31
\nI don’t see who it may be,<\/p>\n

0143) 00:18:45:23 00:18:48:01 Duree :02:03 Lisibilite :33
\nand when I find out, I’m amazed<\/p>\n

0144) 00:18:48:08 00:18:52:05 Duree :03:22 Lisibilite :62
\nbecause it seems as if
\nhe had turned on the right switch<\/p>\n

0145) 00:18:52:11 00:18:56:11 Duree :04:00 Lisibilite :64
\nand drawn out… I think our face
\nis extremely mobile.<\/p>\n

0146) 00:18:56:15 00:18:58:18 Duree :02:03 Lisibilite :33
\nOne doesn’t really see it,
\nyet it is.<\/p>\n

0147) 00:18:58:22 00:19:00:03 Duree :01:06 Lisibilite :19
\nAs if he had managed<\/p>\n

0148) 00:19:00:09 00:19:04:09 Duree :04:00 Lisibilite :64
\nto fix a moment that nobody really sees.<\/p>\n

0149) 00:19:04:13 00:19:06:21 Duree :02:08 Lisibilite :37
\nAs if he had switched
\non the right \u00ab\u00a0pause\u00a0\u00bb switch,<\/p>\n

0150) 00:19:07:00 00:19:09:16 Duree :02:16 Lisibilite :42
\nor five or six \u00ab\u00a0pause\u00a0\u00bb switches,<\/p>\n

0151) 00:19:10:02 00:19:14:01 Duree :03:24 Lisibilite :63
\nto build the portrait, the face.<\/p>\n

0152) 00:22:19:05 00:22:20:07 Duree :01:02 Lisibilite :17
\nOne of the hardest<\/p>\n

0153) 00:22:20:22 00:22:25:03 Duree :04:06 Lisibilite :67
\nand at the same time
\nhappiest portrait to make<\/p>\n

0154) 00:22:25:07 00:22:27:05 Duree :01:23 Lisibilite :30
\nwas that of my father.<\/p>\n

0155) 00:22:27:09 00:22:29:11 Duree :02:02 Lisibilite :33
\nBecause it’s the image, the face<\/p>\n

0156) 00:22:32:08 00:22:34:14 Duree :02:06 Lisibilite :35
\nI’ve known from the longest time<\/p>\n

0157) 00:22:37:15 00:22:39:15 Duree :02:00 Lisibilite :32
\nand which I have certainely idealized.<\/p>\n

0158) 00:22:41:02 00:22:42:06 Duree :01:04 Lisibilite :18
\nAnd also, sometimes,<\/p>\n

0159) 00:22:42:17 00:22:44:11 Duree :01:19 Lisibilite :28
\nhe would look at me<\/p>\n

0160) 00:22:44:15 00:22:46:07 Duree :01:17 Lisibilite :26
\nwith such amazement.<\/p>\n

0161) 00:22:46:14 00:22:49:09 Duree :02:20 Lisibilite :44
\nWho’s painting me right now?
\nMy son, or I don’t know…<\/p>\n

0162) 00:22:54:03 00:22:57:24 Duree :03:21 Lisibilite :61
\nBecause suddenly,
\nyou’re entering in life’s mystery<\/p>\n

0163) 00:22:59:08 00:23:00:22 Duree :01:14 Lisibilite :24
\nWho is the other?<\/p>\n

0164) 00:23:02:19 00:23:07:05 Duree :04:11 Lisibilite :71
\nYou see, who are you?
\nWhat is he\/she made of?<\/p>\n

0165) 00:23:07:10 00:23:08:23 Duree :01:13 Lisibilite :24
\nWhat is his\/her history?<\/p>\n

0166) 00:23:12:21 00:23:17:00 Duree :04:04 Lisibilite :66
\nNow I’ve rediscovered him as a friend.<\/p>\n

0167) 00:23:17:11 00:23:19:01 Duree :01:15 Lisibilite :25
\nNo longer as a father.<\/p>\n

0168) 00:23:19:10 00:23:22:06 Duree :02:21 Lisibilite :45
\nThese are beautiful moments.<\/p>\n

0169) 00:23:26:13 00:23:27:19 Duree :01:06 Lisibilite :19
\nWe didn’t speak much,<\/p>\n

0170) 00:23:27:24 00:23:33:24 Duree :06:00 Lisibilite :96
\nbut we looked at each other and
\nthat’s already quite an approach.<\/p>\n

0171) 00:24:45:12 00:24:46:21 Duree :01:09 Lisibilite :21
\nThe first day I arrived,<\/p>\n

0172) 00:24:47:00 00:24:50:11 Duree :03:11 Lisibilite :55
\nI said to myself, in this armchair:
\n\u00ab\u00a0What am I doing here?\u00a0\u00bb<\/p>\n

0173) 00:24:50:16 00:24:53:11 Duree :02:20 Lisibilite :44
\nBecause it’s difficult to be there<\/p>\n

0174) 00:24:54:14 00:24:57:14 Duree :03:00 Lisibilite :48
\nunable to move,<\/p>\n

0175) 00:24:57:23 00:24:59:24 Duree :02:01 Lisibilite :32
\nor to do anything,<\/p>\n

0176) 00:25:00:03 00:25:03:15 Duree :03:12 Lisibilite :55
\nand to be under Daniel’s gaze,<\/p>\n

0177) 00:25:03:20 00:25:06:14 Duree :02:19 Lisibilite :44
\nhe is very close, not behind a camera,<\/p>\n

0178) 00:25:06:18 00:25:08:20 Duree :02:02 Lisibilite :33
\nor what else…<\/p>\n

0179) 00:25:09:05 00:25:11:11 Duree :02:06 Lisibilite :35
\nAnd it’s going to last quite long,<\/p>\n

0180) 00:25:12:16 00:25:14:08 Duree :01:17 Lisibilite :26
\nthree hours or maybe more…<\/p>\n

0181) 00:25:27:21 00:25:31:08 Duree :03:12 Lisibilite :55
\nHe makes me confortable in the
\narmchair, then settles himself,<\/p>\n

0182) 00:25:31:20 00:25:35:04 Duree :03:09 Lisibilite :53
\nand at the first brushstroke,<\/p>\n

0183) 00:25:35:08 00:25:37:17 Duree :02:09 Lisibilite :37
\nI thought: I’m going to run away!<\/p>\n

0184) 00:25:40:06 00:25:43:02 Duree :02:21 Lisibilite :45
\nYes because I found his eyes<\/p>\n

0185) 00:25:43:18 00:25:46:05 Duree :02:12 Lisibilite :39
\nso observing, searching,<\/p>\n

0186) 00:25:46:17 00:25:48:19 Duree :02:02 Lisibilite :33
\nmodelling already…<\/p>\n

0187) 00:25:50:10 00:25:52:21 Duree :02:11 Lisibilite :39
\nWell, there was this unknown gaze.<\/p>\n

0188) 00:25:53:01 00:25:55:20 Duree :02:19 Lisibilite :44
\nHe searches straight away.<\/p>\n

0189) 00:25:58:15 00:26:00:18 Duree :02:03 Lisibilite :33
\nIt felt as if I was running away<\/p>\n

0190) 00:26:00:22 00:26:02:18 Duree :01:21 Lisibilite :29
\nbut inside myself,<\/p>\n

0191) 00:26:03:01 00:26:05:08 Duree :02:07 Lisibilite :36
\nand became a very tiny thing,<\/p>\n

0192) 00:26:05:17 00:26:07:11 Duree :01:19 Lisibilite :28
\nnot bigger than a nut,<\/p>\n

0193) 00:26:08:08 00:26:10:22 Duree :02:14 Lisibilite :40
\nthat went hiding behind a rib.<\/p>\n

0194) 00:26:13:06 00:26:15:04 Duree :01:23 Lisibilite :30
\nAnd after a while,<\/p>\n

0195) 00:26:15:12 00:26:18:16 Duree :03:04 Lisibilite :50
\nI started to swell, to get bigger,<\/p>\n

0196) 00:26:18:24 00:26:21:22 Duree :02:23 Lisibilite :46
\nuntil I felt I was back in the armchair again.<\/p>\n

0197) 00:26:22:01 00:26:23:23 Duree :01:22 Lisibilite :30
\nOddly enough, he suddenly said:<\/p>\n

0198) 00:26:24:05 00:26:26:08 Duree :02:03 Lisibilite :33
\n– well, it’s much better now,<\/p>\n

0199) 00:26:27:01 00:26:30:06 Duree :03:05 Lisibilite :51
\nbecause I couldn’t… \u00ab\u00a0catch\u00a0\u00bb you,<\/p>\n

0200) 00:26:30:11 00:26:32:24 Duree :02:13 Lisibilite :40
\nI can’t remember his exact word.<\/p>\n

0201) 00:26:33:05 00:26:35:23 Duree :02:18 Lisibilite :43
\nMaybe that’s what’s left.<\/p>\n

0202) 00:26:37:11 00:26:40:10 Duree :02:24 Lisibilite :47
\nThe strongest part of this experience.<\/p>\n

0203) 00:26:41:15 00:26:45:07 Duree :03:17 Lisibilite :58
\nBecause it shows a strange link<\/p>\n

0204) 00:26:46:12 00:26:48:15 Duree :02:03 Lisibilite :33
\nbetween inside and outside.<\/p>\n

0205) 00:26:50:22 00:26:52:15 Duree :01:18 Lisibilite :27
\nSuddenly there’s the painter,<\/p>\n

0206) 00:26:53:13 00:26:57:04 Duree :03:16 Lisibilite :58
\nwho’s observing a person,<\/p>\n

0207) 00:26:57:09 00:27:02:04 Duree :04:20 Lisibilite :76
\nwho’s painting this person
\nand painting an outer envelope,<\/p>\n

0208) 00:27:02:22 00:27:06:13 Duree :03:16 Lisibilite :58
\nwhile at the same time you ‘re inside.<\/p>\n

0209) 00:27:09:00 00:27:10:15 Duree :01:15 Lisibilite :25
\nThat’s strange.<\/p>\n

0210) 00:28:33:14 00:28:35:07 Duree :01:18 Lisibilite :27
\nI looked at him from time to time,<\/p>\n

0211) 00:28:35:11 00:28:36:17 Duree :01:06 Lisibilite :19
\nbecause it puzzled me,<\/p>\n

0212) 00:28:36:21 00:28:38:16 Duree :01:20 Lisibilite :28
\nthat kind of swarming,<\/p>\n

0213) 00:28:38:20 00:28:42:09 Duree :03:14 Lisibilite :56
\neven the sweat on his face…<\/p>\n

0214) 00:28:42:23 00:28:44:01 Duree :01:03 Lisibilite :17
\nI was surprised.<\/p>\n

0215) 00:28:44:10 00:28:48:14 Duree :04:04 Lisibilite :66
\nI was fascinated by the gasping
\neffect of Daniel’s painting.<\/p>\n

0216) 00:28:50:10 00:28:53:14 Duree :03:04 Lisibilite :50
\nI was no longer Florence,<\/p>\n

\u00a9 Copyright pour ce sc\u00e9nario H\u00e9l\u00e8ne Faucherre <\/p>\n","protected":false},"excerpt":{"rendered":"

Tombent les Masques: sous-titres anglais continuit\u00e9 itw d\u00e9finitive Continuit\u00e9 des interviews, Montage d\u00e9finitif A painter, 50-odd models. Under the artist’s penetrating eye, the masks fall away. A device which offers the viewer a rare...<\/p>\n","protected":false},"author":191,"featured_media":4310,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[117,53,144],"tags":[539,529,545,578],"class_list":["post-1264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anglais","category-cinema","category-scenario","tag-anglais","tag-cinema","tag-scenario","tag-tombent-les-masques"],"_links":{"self":[{"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/posts\/1264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/users\/191"}],"replies":[{"embeddable":true,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/comments?post=1264"}],"version-history":[{"count":3,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/posts\/1264\/revisions"}],"predecessor-version":[{"id":4312,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/posts\/1264\/revisions\/4312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/media\/4310"}],"wp:attachment":[{"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/media?parent=1264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/categories?post=1264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.irreel.ch\/blog\/wp-json\/wp\/v2\/tags?post=1264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}